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Partisans of the Nude: An Arab Art Genre in an Era of Contest, 1920-1960
Date
October 6, 2023 - January 14, 2024
Location
New York, United Sates of America
Role
Curatorial Research Assistant
Curator
Kirsten Scheid, Professor of Anthropology and Art Studies at the American University of Beirut
Venue
The Wallach Art Gallery at Columbia University Lenfest Center of the Arts
Featured Artists
Shafic Abboud
Hamed Abdalla
Abdul Wahab Addada
Hussein Youssef Amin
Onnig Avedissian
Simone Baltaxé Martayan
Ali Bellagha
Aly Ben Salem
Huguette Caland
Saloua Raouda Choucair
Georges Daoud Corm
Moustapha Farrouk
Ismail Fattah
Cesar Gemayel
Khalil Gibran
Sophie Halaby
Jamil Hamoudi
Ibrahim Hazima
Ibrahim Ismail
Jabra Ibrahim Jabra
Louay Kayyali
Munira al-Kazi
Féla Kefi Leroux
Helen Khal
Hatem el-Mekki
Ahmed Morsi
Fateh al-Moudarres
Abdullah al-Muharraqi
Amy Nimr
Omar Onsi
Abdullah al-Qassar
Georges Hanna Sabbagh
Atta Sabri
Mahmoud Said
Khalil Saleeby
Jewad Selim
Juliana Seraphim
Ismail al-Shaikhly
Shaker (Azar) Abdulnabi-Shalem
Akram Shukri
Salah Taher
Kamel Telmisany
Partisans of the Nude explores the complex and often contested representation of the nude in Arab art from 1920 to 1960. This exhibition offers an in-depth examination of how Arab artists utilized the nude as a powerful medium to challenge colonial narratives, assert modern Arab identity, and push the boundaries of artistic expression. At the crossroads of modernism and traditional Arab aesthetics, the exhibition highlights the nuanced relationship between the body, art, and socio-political resistance during a pivotal era in Arab art history.
By focusing on the representation of the nude, Partisans of the Nude presents the genre as both a site of artistic activism and a vehicle for cultural transformation. The exhibition revisits the works of pioneering Arab artists who, amidst colonial occupation and societal restrictions, used the body as a means to explore themes of freedom, modernity, and identity. Their bold and often controversial works reveal a deep engagement with global modernist movements while remaining rooted in the socio-political realities of the Arab world.







